Summer Music Festivals 2018
The summer of 2018 promises to be a great experience for lovers of music in Merthyr Tydfil, with two fantastic festival events. The first on 25th – 27th May is the Merthyr Rising festival, which continues to bring major names from the world of popular music. Artists who are not only major names in their own right but have also had a major influence on some of the leading artists of today;
Ruts DC and The Blockheads both had a major influence on the development of Punk, Post Punk, Alternative and New Wave. The word “iconic” can easily be over used when describing the Blockheads’ long history of notable collaborations, including of course their original vocalist Ian Dury. We can also add members’ contributing on various “iconic” recordings including The Clash’s London Calling, Roy Budd’s Get Carter Soundtrack, Roger Daltrey’s solo career, Nick Cave’s Nocturama and Frankie Goes to Hollywood’s “Relax”. Ruts DC are also no strangers to notable collaborations with Henry Rollins (Black Flag/Rollins Band), Jake Burns (Stiff Little Fingers), Kirk Brandon (Spear of Destiny/Theatre of Hate) and others all contributing on their latest album.
Ruts DC’s role in British popular music culture could be seen as a precursor to the rise of Ska in the early 80s. Who knows what role the Ruts would have played if it were not for the untimely death of singer Malcolm Owen. What is undeniable is that they were one of the key bands, together with The Clash, in bridging the gap between punk and reggae, helping build an appetite for the burgeoning Ska revival of the 80s.
Roland Gift and The Alarm, are other major names in the history of British popular music, who historically take up the baton from Ruts DC and The Blockheads. Roland Gift helped introduce Ska into the mainstream, while The Alarm, inspired by the political awareness of bands like The Clash, rekindled a spirit of ’76 back into a mainstream, which was at the time, dominated by New Romantic ostentatiousness.
The links to some of those “iconic” and hugely influential artists continue with another of the Merthyr Rising headliners, Dreadzone, featuring former members of Big Audio Dynamite (who of course also included Mick Jones of The Clash).
Add to all that some of the most exciting local bands, political commentators and intellectuals, artists, poets, authors and others, and Merthyr Rising 2018 promises to be possibly the best value music and cultural festival to be found anywhere this summer. And that’s before they’ve even completed the line up!
For tickets, visit the Merthyr Rising website.
Then on 5th August we have Grand Slam 2018, three major artists performing at Cyfarthfa Park, following in the footsteps of artists like Donny Osmond, Status Quo and various Merthyr Rock artists who have performed over the last decade or so. Being one of most commercially successful Scottish bands ever, having achieved five UK number one albums Simple Minds need little introduction. Likewise The Pretenders are a household name across the globe, with their roots in Punk and New Wave, their appeal has spanned the decades. Very special guest KT Tunstall completes a stellar line up of three headline acts. KT Tunstall broke into the public eye in 2004, with a live solo performance of her song “Black Horse and the Cherry Tree” on Later… with Jools Holland.
Tickets for Grandslam 2018 are available via Ticketmaster.
A Celebration of Welsh Contemporary Painting: KEN ELIAS: Paintings
(In memory of Pete Goodridge)
Concluding this year’s exhibitions for the inaugural Celebration of Welsh Contemporary Painting, Redhouse welcomes a local valleys’ artist from Glynneath with a national profile, Ken Elias.
Ken Elias holds a significant place in the history of Welsh painting. In 2009 The National Museum of Wales showed a retrospective of Ken Elias’s work that celebrated 40 years of his work as an artist, and launched the publication of; Ken Elias: Thin Partitions (Seren). This book will be on sale at Redhouse during the exhibition.
In 2013 his work was included in their major exhibition of that year, entitled Pop and Abstract. Ken Elias’s work was shown alongside that of David Hockney, Peter Blake, Allen Jones, Bridget Riley and others.
The artist and writer Dr Ceri Thomas has written:-
“Born in 1944, into a working-class family in Glynneath, Ken Elias’s childhood was formed during the 1950s. He attended art school in the 1960s, during the height of the Pop Art movement in the UK.
Using acrylic paint, photomontage and mixed media, Ken Elias creates powerful, striking images, with strong shapes and contrasting colours. Influenced by the memories of family and cinema during his 1950s childhood and his love of poetry and art, his work uses memory and imagination, responding to and drawing inspiration from global issues and currents, while also being strongly rooted in the visual language of the south Wales valleys.”
The exhibition will be launched on 26th August, at 2pm, with the artist present. All welcome.
At 2pm on the 16th of September Ken Elias will give an illustrated talk in the Redhouse Gallery. He will discuss his life and work as an artist living in Glynneath. On the same day the Global Village festival will take place outside Redhouse in Penderyn Square. A celebration of diversity, with music, dance and other art forms from across the world. Ken Elias’s talk is part of that diversity.
A Celebration of Welsh Contemporary Painting: SCHOOLS Project
(In memory of Pete Goodridge)
Schools project with Caedraw Primary School, Dowlais Primary School, Edwardsville Primary School and Ynysowen Primary School.
Students at each primary school visited Cyfarthfa Castle to view and discuss some of the collection, focusing on work produced by artists who were part of both the Merthyr and Dowlais Artists’ Settlements, where local residents would attend various classes, led by artists with international reputations like Cedric Morris and Heinz Koppel.
The students then visited their local libraries to explore the Local Studies Collection, and look at how their local areas were built and laid out historically, and, in the present day. Images from the Local Studies Collection were used as research for the students’ artwork.
I visited each school, where the children used references to their own communities, and the paintings they’d seen from Cyfarthfa Castle’s collection. This gave them a starting point; an anchor to explore their own visions. In keeping with the spirit of the Merthyr and Dowlais Artists’ Settlements, the sessions focused on self-expression, where the children were encouraged to work immediately with paint, rather than drawing pencil outlines. Emphasis was put on experimentation with mark making and surface texture. Pupils used sponges, to produce interesting surfaces to represent the various surfaces they wanted to depict (brick, tile, etc.), and the backs of brushes to score into layered paint. Colour was used expressively, rather than purely descriptively, so that brown walls could instead become red, with yellow or blue flashes. The varied responses from each individual demonstrated a unique work of art from every child, in keeping with the spirit of both the Merthyr and Dowlais Artists’ Settlements and today’s Celebration of Welsh Contemporary Painting.
A Celebration of Welsh Contemporary Painting
(In memory of Pete Goodridge)
This summer both Cyfarthfa Castle and Redhouse will be enhancing their arts programmes with ‘Making Your Mark on Merthyr’, an Arts Council of Wales funded project in partnership with Glasbury Arts, who have also provided financial support in addition to their expertise. The project will extend the work currently being delivered with extra participatory arts activities to encourage greater community engagement. Participants will work with professional artists, writers and musicians.
Cyfarthfa Castle: Welsh Contemporary Painting mixed exhibition
Contemporary Welsh Painting exhibitions will open in both Cyfarthfa Castle and Redhouse on 7th July 2017. Cyfarthfa Castle will host a mixed exhibition featuring contemporary Wales based artists, including those with an international reputation including; Shani Rhys James “arguably one of the most exciting and successful painters of her generation.” (BBC Arts), “internationally-renowned artist Brendan Stuart Burns” (Asthetica Magazine) and “Mary Lloyd Jones…one of Wales’ most popular landscape artists” (Wales Online), together with artists who have strong links to Merthyr: Martyn Jones, who teaches at The College Merthyr Tydfil and regularly exhibits both sides of the Atlantic; Joanne Smith, who also teaches at the College Merthyr; and myself, Gustavius Payne. Other established contemporary artists included in the mixed exhibition at Cyfarthfa Castle are Sally Mathews, Alan Salisbury, Veronica Gibson and Charles Burton, together with the talented John Darlison and Kate Freeman.
Redhouse: Ken Elias and children’s exhibitions
The exhibitions at Redhouse will be diverse in a totally different way to the Cyfarthfa Castle mixed exhibition, beginning with a combined showing of work by children, some of whom have been working with Merthyr Tydfil Libraries in partnership with local schools responding to the work of Cedric Morris and other children who have been working with the Josef Herman Foundation, in partnership with Glasbury Arts, Swansea University, Glyn Vivian Gallery and schools responding to the work of Josef Herman.
The second exhibition at Redhouse, closing the project’s exhibitions programme, will focus on the work of Ken Elias; “one of the leading artists living and working in South Wales” (Seren Books). Ken Elias, born and living in Glynneath, has exhibited widely, including a touring retrospective in 2009, alongside a publication by Seren Books, edited by Ceri Thomas; Ken Elias: Thin Partitions. In April 2013, Elias’ work was also included in a major exhibition at the National Museum of Wales, Cardiff, titled Pop and Abstract. His contribution was one of only two by contemporary artists living in Wales.
Together with visual arts exhibitions and activity, the project will allow Redhouse to extend both its Little Theatre (for adults) and Redhouse Performance Academy (for children). Young people in the Performance Academy will have the opportunity to work with professional tutors and technical support to create four Performance Academy concerts/events during the year, including autumn and Christmas. RPA performers will also be working in collaboration with Cyfarthfa Castle to create a promenade performance as part of an Open Day at Cyfarthfa Castle, helping bring the contemporary Welsh paintings to life.
Talks, demonstrations, workshops and performances
Following the exhibitions’ opening on 7th July at Cyfarthfa Castle and Redhouse, in August a two day series of events will begin, in the town centre and Cyfarthfa Castle and Park:
Friday 18th August will see an artist led, community participation pavement art project, to make a large scale painting in the town centre, on Penderyn Square (opposite Redhouse). Local painters are also invited to Penderyn Square to record the scene as a painting or drawing. There will also be artist talks and demonstrations in Redhouse.
On Saturday 19th August, an Open Day will be held at Cyfarthfa Castle and Park, including the promenade performances by Redhouse participants bringing the Contemporary Welsh paintings to life. Also taking place will be artist talks, demonstrations and workshops exploring different painting and mark-making techniques around the park.
Cyfarthfa Castle will invite participants, who have successfully completed all five workshops, back in September to show the work that they have created, inspired by the challenges set at the end of the celebration weekend. A series of children and adults’ art workshops, led by professional artists, developing techniques learned in August’s event, will also take place at Cyfarthfa Castle.
Celebrating 40 years of Punk Rock
Forty years ago from 2017, one of the most influential movements in popular culture exploded into the imaginations of the general public. It’s true that many of the bands and artists who created the phenomena were active before 1977: the Ramones forming in 1974, releasing their first LP and single two years later; the Damned releasing both the first British punk single and the first British punk LP in 1976; the Sex Pistols forming in 1975 and releasing Anarchy in the UK the following year; plus a number other bands and artists playing and developing the style before it officially became ‘punk rock’. Even before the 1970s, the ingredients that went into what we now know as punk rock, were beginning to emerge through The Stooges, MC5, The Velvet Underground and others.
‘Punk’ had a do-it-your-self ethos, from the torn and stencilled clothing held together with safety pins, to the idea that anyone could get on the stage and have a go. Passion and attitude was often considered more important than musicianship: Guitarist Steve Jones once explained that “Sid was in a hospital with yellow jaundice and he couldn’t really play…not that he could play anyway”, as an explanation as to why Sid Vicious didn’t play bass on the first Sex Pistols LP. And by all accounts Sid’s drumming for Siouxie and The Banshees, before the Sex Pistols, was just as bad!
But it wasn’t until 1977 that punk, really burst into the mainstream with spikey topped teenagers and bands, wearing torn clothes and safety pins, popping up all over the country. By 1st January 1977 The Clash were headlining the opening night of London’s first Punk Rock Club, The Roxy; with The Jam, The Vibrators, Generation X, The Damned, The Stranglers, the Buzzcocks and many others following that same month. While by this time, New York’s CBGB’s had also firmly established itself as the home to bands like the Ramones, Television, The Patti Smith Group, Blondie (pre-disco) and others. By 1977 the term ‘punk rock’ had crossed the Atlantic to describe these artists.
Punk shocks the south Wales valleys
A punk rock line-up, that by today’s standards would be considered iconic, famously visited the valleys in December 1976 for the Anarchy in the UK Tour featuring the Sex Pistols, The Clash, The Damned and Johnny Thunder’s Heartbreakers with a gig in Caerphilly (following a cancellation in Cardiff). The event was met with hymns and a protest by locals, appalled by what they’d seen in the media about the Sex Pistols and punk rock. The media image of what punk represented was shocking to some at the time. However beneath the media persona, the individuals involved in the Anarchy Tour, and punk generally, were just young people, like so many others living within communities up and down the valleys.
At least one of those on the Anarchy Tour had already performed in the valleys with no outrage and little note: During 1988 when The Clash’s Joe Strummer visited Dollars Night Club in Merthyr (more recently Argos store), to perform on his Rock Against the Rich Tour, I remember his recollection of performing at the venue years before (probably during his time at Newport Art College). I was lucky enough to get backstage as a member of the crew, with friends who were the local support band, Merthyr’s very own punk rock stalwarts Foreign Legion, who are still playing all over the country and released their most recent LP on Aggro Beat last year. The Clash’s Mick Jones also produced their second LP.
As punk rock swept across the nation in 1977, one of those who identified with the phenomena was a 14 year old school boy from Merthyr Tydfil called Gerrion Jones. I first met Gerrion some years later, on the streets of the Gurnos estate, when I was a 14 year old spikey topped punk myself. Today Gerrion is an artist and art collector, with a significant collection of original artwork by Jamie Reid, James Cauty, Billy Childish and others. Gerrion has become a bit of an expert on punk history and Jamie Reid; most notable for his sleeve designs for Anarchy in the UK, God Save the Queen, Pretty Vacant, Holidays in the Sun and Never Mind the B******* Here’s The Sex Pistols. Gerrion’s Punk Forever project has visited various venues across the UK and has become more than just an exhibition, with live music events, talks and film showings, together with the artwork changing from venue to venue.
Punk comes to Redhouse: Punk Forever / London Calling
As a celebration of Forty Years of Punk, we’re thrilled at Redhouse to be able to show Gerrion’s exhibition Punk Forever. The exhibition is made up of just some of Gerrion’s collection, featuring some of the most iconic imagery associated with the first wave of punk in 1977, with original Jamie Reid artwork and posters for the Sex Pistols, The Clash and others who were storming the music and fashion scene forty years ago.
Picture: Punk Forever poster
The exhibition expands into the present day with more recent work by James Cauty and Billy Childish, displaying the same sharp wit and vitriolic political commentary that made punk rock so appealing forty years ago.
In addition to the Punk Forever exhibition, Redhouse will also be welcoming a tribute to one of the most iconic bands ever associated with 1977 punk, often described as “the only band that mattered”, The Clash. London Calling will be bringing the spirit of Joe Strummer back to Merthyr by playing songs by The Clash at Redhouse on Friday 3rd February, as a further celebration of forty years since the 1977 punk explosion. Coinciding with the London Calling performance, the Punk Forever exhibition will also include an adults’ only element on 3rd February and Saturday the 4th February, 2017.
The punk spirit in Merthyr today?
During 1977 it seemed obvious, that any serious musician or band would need to be based in a major city, like London or New York, if they wanted any real success. Today however, with the advent of the internet, a major cultural change has taken place. TV and radio viewing and listening habits have changed significantly; and information sharing has increased the opportunities to be seen on a world stage. The next big thing in popular culture could begin anywhere.
With 2017 seeing the launch of Made in Merthyr, a monthly showcase of new music originating from Merthyr, the spirit of punk rock seems to be alive and kicking. Tracy Island, Chapel Row, Himalayas, Florence Black, The Moon Birds, Celtic Mosh bands and others. True, these bands may not have the spikey hair or wear rips and safety-pins (those elements were always superficial anyway – statements against the 1970s status quo of hippie lethargy and prog rock elitism), but just as the 1977 punks used much of the spirit and attitude (and some of the fashion) of the original rock ’n’ roll rebels from the 1950s, many of the Made in Merthyr bands and musicians share that same spirit and attitude. A spirit and attitude that made punk rock so appealing forty years ago, keeping alive a rock ‘n’ roll continuity that has almost become a tradition. No pretence, just getting on the stage and saying it as it is and playing it as it is, with passion, commitment and honesty.
To see when these and other bands will be performing for Made in Merthyr, keep an eye on the Redhouse What’s On pages.
For more on the Punk Forever exhibition, click HERE.
For more on the London Calling gig, click HERE.
Art Class / Life Drawing / 56 Group Wales exhibition
The visual arts in Redhouse are taking significant strides forward this term with not only a new exhibition by celebrated artists’ collective, the 56 Group Wales, but also a regular art class on Thursday nights and life drawing classes, which will hopefully become a regular fixture.
The 56 Group Wales was formed originally in 1956, with the aim of “promoting Welsh Modernist art and artists”. The original collective included some of the leading Wales based artists of that era, including Arthur Giardelli, Heinz Koppel and others who were also instrumental in establishing the Dowlais and Merthyr Artists’ Settlements during the 1940s.
The Dowlais and Merthyr Artists’ Settlements provided classes for local residents within the community. It is then perhaps fitting that today, we again see the members of the 56 Group Wales exhibiting in Merthyr (both at Redhouse and Cyfarthfa Castle), with not only The College Merthyr Tydfil bringing many groups of students to see and study the exhibition, but two other visual art classes for the community beginning.
The regular Thursday evening art class is a “beginners’ class” but open to all levels. The class is run by myself and focuses on “colour theory”, with Agored Cymru accreditation. Unfortunately, due to demand, with almost 40 people joining the class and despite a second earlier session being created, we are unable to take any more new students this year. The enthusiasm has been overwhelming.
The Life Drawing sessions are run by artist, Tracey Rees as an independent initiative, and again the response has been hugely popular. The first session was well attended and the second is almost fully booked, so anyone interested in future sessions is advised to contact Tracey to make sure they get an opportunity to participate in future.
56 Group Wales, featuring (above) Ken Elias and Peter Spriggs.
Amongst various other achievements and exhibitions, Ken Elias (above) and John Selway (below) were included in a major exhibition in 2013 at the National Museum of Wales, as two of only four artists “with connections to Wales” in an exhibition titled Pop and Abstract, alongside work by Peter Blake, Alan Davie, David Hockney, Bridget Riley and others. Ken Elias’s artwork was used as the main advertising image for the exhibition. We look forward to Ken’s one person exhibition with us here at Redhouse next year.
56 Group Wales featuring (above) John Selway, Martyn Jones and Carol Hiles.
Together with being a member of the 56 Group Wales and a leading Welsh artist, who shows regularly in New York and Miami, Martyn Jones also teaches at The College Merthyr Tydfil, and will be exhibiting with us here at Redhouse in 2018.
56 Group Wales member, Robert Alwyn Hughes (above) will also be joining Ken Elias and Martyn Jones, by exhibiting a one person show in Redhouse (during 2017). Two of Robert’s paintings, referencing Dowlais Top, where he was raised, are on show at Redhouse on a semi-permanent basis, hanging above the main staircase. As a child Robert also attended the Dowlais Artists’ Settlement, mentioned earlier, where he came into contact with some of the key artists from Welsh Art History.