‘Many Voices, One Nation’ is a touring exhibition, curated by David Drake, Director of Ffotogallery Wales, and Alice Randone, curator at the National Assembly for Wales.
Commissioned by the National Assembly for Wales, ‘Many Voices, One Nation’ forms part of the programme of events and activities throughout 2019 to mark the first 20 years of devolution in Wales.
Many Voices, One Nation launched at the Senedd, the centre for democracy and devolution in Wales before touring at various locations across Wales between October 2019 and June 2020.
Many Voices, One Nation
The exhibition will use photography and lens-based media to explore the hopes and aspirations for the future of Wales.
Six artists living and working in Wales have been commissioned, incorporating photography, video and lens-based media, digital imaging, installation and mixed media. The exhibition aims to capture the richness and diversity of the geography, culture and society of Wales, and, wherever possible, encourage public participation.
Luce + Harry
The 1956 Hungarian Uprising saw 20,000 migrants enter the UK, fleeing hostile conditions after the revolution was crushed by Soviet forces. Many came to Wales, and 96 were to call Pontypridd their new home, one being Luce’s grandfather. Nearly 65 years later, a new wave of Eritrean refugees are fleeing violence from an oppressive regime, circumstances similarly out of their control. Many have again been welcomed by Wales. Through the process of taking photographs, collating archival footage, and recording interviews, the artists present a narrative that reflects the experiences of Hungarian migrants in Wales; a tale of warmth, assimilation and hard work. Alongside this they have photographed the newly formed Eritrean communities, who are now hoping for the same. The project promotes the welcoming nature of Wales, celebrates the diversity of Welsh people, and shares the hopes and aspirations of the future families of Wales.
For Many Voices, One Nation, Bowes has produced a series of portraits in moonlight of a hill farming community in Radnorshire. The tenant farmers of the Elan Estate in the Elan and Claerwen Valleys keep sheep on the open hill, which they gather with their neighbours, often on horseback, forming a close community and passing down a traditional way of life.
Brexit, and economic and environmental concerns including climate crisis, create uncertainty for the future upland farmer in Wales. The members of this community just starting their lives as farmers are embracing continuity. Significantly, there are several young women in the new generation. Using moonlight as her sole light source, Bowes explores this liminality, placing people in the land where they are the current and historic custodians.
Locally, people are known by their first name followed by the name of their farm.
While many may have heard of the Welsh colony in Patagonia, Argentina, less well known is the Welsh diaspora to America. As someone who emigrated from North Wales to New York, Brydon had always been looking for a connection to his home. One year he discovered the Remsen Barn Festival in Upstate New York, a village fete and celebration of the Welsh heritage in the area. Stalls and village buildings were festooned with Welsh flags and dragons. Subsequently, he discovered the breadth of the Welsh immigration to America, and the impact it has had.
This discovery led him to work on a project he calls “The Singing Hills”, named after the choral tradition of the Welsh, which is celebrated in the churches and community centres of Upstate New York just as it is throughout Wales. Through portraits, landscapes, and images of life, his project portrays the Welsh communities in America and their links to North Wales. His aim is to build a body of work that draws a visual line of connection between the people, land, and life in Upstate New York and North Wales, their similarities and differences, and their hopes for the future.
Huw Alden Davies
Exploring ‘new’ territories, studying the concept of a micro generation described as Xennials (an original analysis through photographic practice), ‘Dreaming in Colour’ examines an uncharted generation bridging the gap between two eras described as X gens and Millennials, while broadening the perspective of Welsh culture through the use of photography and lens-based media.
Set in and around a small ex-mining village in the Gwendraeth Valley, at the dawn of a new era, this project is a multimedia collaboration, providing a modern and unclichéd perspective of ‘Welsh-ness’, and a rare look into one of Wales lesser explored culturally rich communities. Celebrating the wonder of childhood, friendship, and all things Welsh, Dreaming in Colour tells the tale of an 80s generation that saw the best of both worlds, old and new, while expanding the visual identity of Wales beyond its stereotypes.
James Hudson tells a story of an off-road bicycle journey from the historical Machynlleth Senedd to the present day Senedd in Cardiff. Ideas and material for the story have been created whilst cycling along the route, engaging in the physical environment and being open to chance encounters.
This modern pilgrimage serves as a reminder that there was a Senedd in Wales’ past as well as being a celebration of Wales’ democratic history and progress. Cycling is a positive, inclusive activity and a key part of the Active Travel Act passed by the Senedd in 2013. Off-road cycling has both an interesting history in Wales and a growing future throughout the country – which is already considered one of the best places for off-road biking in the UK. As a work of graphic art fiction, as opposed to a more straightforward documentation, the project aims to expose to new audiences the activity, history and value of both off-road cycling and the Senedd.
Much of Pountney’s work is about Wales’ past, industrial and social, and he is interested in looking towards what is used to develop notions of nationhood as the country moves away from its traditional image of heavy industry and coal mining. He has followed the development of Welsh Youth Parliament with interest, and now creates portraits of its representatives, capturing them in a series of regional events and showing the diverse backgrounds and narratives that have led to them becoming Welsh Youth Parliament members.
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